Showing posts with label Neil Gaiman. Show all posts
Showing posts with label Neil Gaiman. Show all posts

Friday, 30 August 2013

Home from Edinburgh*

The Butler (my husband, not the movie) planned to spend August covering his colleagues’ holidays rather than take one himself.  Fine with me, as I had a novel that needed attention.  However.  I didn’t do the responsible thing when one evening he said, ‘I have a few days off.  Let’s go to the Edinburgh Book Festival.’

The process of novel writing is a strange game of what-if.
Neil Gaiman 22/08/13

We took the afternoon train that rides the east coast, one of my favourite trips.  A friend met us on Princes Street, took us to Charlotte Square which had been transformed into a secret village.  There were no passport checks, but we definitely had crossed the border into Somewhere Else.

If you ignore your inside voice, you ignore it at your peril.
                                                                        Mark Billingham 23/08/13

Once inside, there was settledness to the place.  Not the spiritual tranquillity of a religious building, not an ivory tower concept or romantic notion, but the still hum of a thousand intellects invoking the imagination. 
 
It’s the journalist's business to write about politics.  The writer must write about more important things.  What is important in life is of the world without words.  The writer translates and is above the level of politics.
                                                                        Mikhail Shishkin 23/08/13

They weren’t all well behaved intellects.  Children raced and screamed and had tantrums.  Staff had to pick up litter.  These people got drunk, one woman shouting, ‘Fuck, fuck, fuck photography,’ and sent the Festival photo team skeedaddling.  

We’re inured to violence.  Fiction gets over the issue fatigue, a sneaky bastard that comes at you from the side.
Lauren Beukes 23/08/13

A thick Scottish accent bellowed at us to get in the queue.  Book signings ran like conveyor belts watched over by security.  Inside all of that, though, something felt different.

I imagine Ian Rankin walks around Edinburgh to find a car park to stuff a body.  Kind of like the Easter Bunny.
Margaret Atwood 24/08/13

Our second day there, everyone abandoned me for their sessions.  I grabbed an ice cream and a deck chair, sat down with my manuscript.  Next to me gathered a multi-generational family.  A set of middle-aged grandparents, several thirty-something parents. 

Sometimes people are undone by success.
Stephen Grosz 24/08/13

The grandfather carried a baby, talked to it, explained what the rest of the family were doing.  Nothing significant about this bunch until the other children returned. 

The true inspiration for the writer is the bank manager.
Andrew Grieg 24/08/13

Kids young enough to speed across the square with their picture books were greeted like lionesses who’d returned with food for the pride.  Adults squatted to hear the stories even if the child went through the book backwards. 

I love challenge.  At least I say that to myself before it’s started.  Halfway through, I say, this is the most terrible challenge!
                                    Antonia Fraser 25/08/13

And when the excitement calmed down, ice cream for everyone.  My kind of family, I can tell you.  They know what it takes to raise a kid.  Ice cream and books.

I feel this is an audience full of women laughing and men, not.
Naomi Alderman 25/08/13

El Punko later tweeted, Can we live here?  That’s how I felt, as though I’d found the lost tribe of my native people.  Nothing tangibly different on the outside, but on the inside – if we could do DNA tests on the soul, you’d find something a bit peculiar.

If you want a virtual reality experience that takes you out of reality, read a novel.
                                    Valerie Martin 25/08/13

Between sessions, we sat in deck chairs and read or wrote.  Some of us fell asleep.  We ran into old friends, met new ones, shared writing opportunities, lusted over book after book after book.  Bought way too many.  Ate some of the best cake I’ve ever had.

Zombies are not good on skates.
                                    Margaret Atwood 25/08/13

Sometimes I felt overwhelmed by the intelligence on the panel, both writers and moderators.  Sometimes I felt I’d underachieved.  Sometimes I felt enthused about my craft, couldn’t wait to get back to the deck chair and write write write.  After some ice cream, of course.

Burke and Hare had their good side.
                                    Ian Rankin 26/08/13

At one of Margaret Atwood’s sessions, a man asked her what to do with all the stories in your head, if you weren’t a writer.  She said something close to: Anybody who can write things down is a writer.  Then it’s up to you to become a better writer.  (Take that, all you people who belittle writers who aren’t yet Margaret Atwood.)  

My feeling about her is she’s the perfect corporate wife.  (Lady MacBeth) 
                                    Margaret Atwood 26/08/13

Which is who El Punko wants to be when he grows up.  At first I was surprised he didn’t want to be Neil Gaiman, but then I realised Neil Gaiman hasn’t grown up yet, which is really quite lovely.  I think becoming Margaret Atwood is an admirable goal, even without the writing bit.

A book can be as many books as it can be.
                                    Valerie Martin 26/08/13

My experience of the festival, though obviously limited, was that it lacked the usual hierarchy.  This is a craft and everyone there loved it; some of us in the creation but all of us in the appreciation of it.  So while there was a yurt where the writers could hide, they also sat with their families in deck chairs, stood in line for talks, bought ice cream from the stand without being mobbed. 

Adults have no attention span.  They give up and go away long before you’re finished.  (Having stories read to you.)
                                    Neil Gaiman 26/08/13

That ethos, perhaps, of egalitarianism, reinforced in me the need for writers (and all creatives) to support each other in an honest but positive fashion.  That includes supporting yourself as well, despite people who don’t believe you have something to say.  If Ian Rankin and Mary Talbot and Val MacDermid don’t mind walking among the rest of us, then feck the begrudgers and walk here as well.

We were just talking about Jane Austen’s underwear.
                                    Margaret Atwood 24/08/13


*All writer quotes are as close to what was said as possible.

Friday, 23 August 2013

The Perils of Pillage

My mother is a master quilter.  She has the ability to see, in a collection of fabrics, the intricate wee triangles and squares that will create a balance of colour and motion.  The art of quilting originated from necessity – the absence of a large fabric met by joining small scraps of old clothing. 

Many writers create in the same way, but it isn’t the rag bag that they pillage their bits of colour and texture from.

Most writers I know have an incredible capacity for information.  The whole ‘write what you know’ is set aside for write what speaks to you.  History, art, music, all the behavioural sciences, and just plain old people, we dive into them with the ability to hold our breath for minutes, hours, days if need be to absorb what it takes to feed the desire to know.

In my early days as a pillager, I often confused this subject immersion as a more lasting interest and, as a result, have (to list the less embarrassing escapades) learned to play piano, trombone, tambourine, recorder, penny whistle, guitar, bodhrán, banjo, Scottish pipes, and fiddle.  I’ll pause here to say, I’m not a musical person, so by the time I’d created a main character who played uillean pipes, I’d learned to research the experience with a pen, not pipes.

Here’s where peril begins to happen.  A book or craft or musical instrument, no matter how deep a relationship we form with it, does not respond in kind.  A person is quite different altogether.  There’s a sort of ethics to pillaging from a person.  For instance, regardless how kickass their metaphors are, how powerful their stories, I wouldn’t take one from a client.  The dynamics in that type of relationship make asking an unfair thing. 

Those ethics shouldn’t apply only to a therapeutic relationship, though.  To take a friend’s stories without asking is worse than stealing their cutlery when they’ve invited you over for dinner.  Taking another writer’s metaphor or theme or story is a capital crime.  And most of us know that. 

Unfortunately, there are no ethics in the treatment of writers, and that’s where the peril of pillaging lurks.  There is a type of person out there who can do a real mind fuck on you and you never see it coming. 

A little psych lesson.  The act of creation for a writer, all this pillaging and plunder I’ve been rabbiting on about, it has something to do with ego boundaries.  Ours tend to be semi-permeable.  We can empathise til the cows come home.  Normal people see that for what it is.  A few may think we care more for them than we do, which isn’t to say we don’t care about them. 

But when Neil Gaiman looks up from a book he’s signing, smiles sincerely to a teenage boy who absolutely loves Ocean at the End of the Lane, then says something nice to his mother because the boy’s too star stuck to speak, Gaiman is being empathetic and kind, and probably doesn’t remember the boy five minutes later.

And on some level, the boy knows that.  He’ll show Gaiman’s dedication to his friends, tell them how genuine and real Gaiman is.  Now think about Gaiman’s behaviour.  It only has meaning, it only has power in the context of a famous person taking fifteen seconds to acknowledge a teenager.  If I who am standing behind that teen in the queue smiled at him sincerely, he’d move closer to his mother and break all eye contact.

So we've established normal, at least for us.  Let's go to abnormal.  Hopefully you’re still with me, because here’s where it gets dicey.  This pillaging that you do in order to write, you probably don’t turn it off.  An old guy on the bus strikes up a conversation and if you’re in the mood, you carry your end, ask more questions than answer, learn all sorts of things about him and walk away having given nothing of yourself.

BUT

Sometimes, that casual conversation turns into coffee, turns into swapping books, turns into friendship.  Sometimes this person is a bit emotional.  Sometimes you have to be the more understanding person.  Sometimes, if you have a bad day and decide to go caving, as I call taking a break from social interaction, this person calls the police after six hours.  Or your mother.  All your friends. 

And that seems cute.  You feel bad for making that person worry.

But these cute, idiosyncratic moments multiply.  The friendship becomes care-taking becomes hard work.  You think this person’s going through a bad time, it’ll blow over.  Life’s hard.  You’ve been there.  You’ve plundered stories from other lives that have been there.  This person’s your really good friend.  You have so much history together.

And then one day, this person attacks you.  And continues to attack you but won’t let you respond.  Then blocks all access to him, tells your friends what a shit you are, takes some of them with him.  You’re left with the confusion of what-the-hell-did-I-do and the ugliness spilled over all the memories you share with this person.

What’s that all about?

Well, some people out there are really badly damaged.  Their ego boundaries aren’t just permeable; they’re goddam shaky.  They need someone else’s boundaries to hold the amoeba of themselves.  Your interest in this person, your intense, flattering interest means something very different than friendship to them.  Because their ego boundaries have never been properly put into place, your wit and verbal skills, vast information base, creative spark, all the good things that you’ve spent a lifetime building, those now belong to him.

Which is why, if you go caving, they freak out and call the Mounties.  And, when life gets stressful, if you fail to sooth them the way a mother soothes a baby, they will attack and vilify you.

This sort of thing could happen to anyone, not just writers.  It’s why we have stalking laws.  It’s a core of domestic abuse and bunny boiling.  But I think, perhaps wrongly, that because writers have this huge initial investment in new people – we’re curious as hell, ask questions, work to understand because it’s how we create – we don’t see the forest for the trees sometimes. 

The danger of all this is the memory it leaves you with, the learning that life is dangerous and you’re not able to see it coming.  If it happens more than once, then you think you obviously ask for it.  You’re the person who’s not a very good friend and you don’t even know why.  That type of damage done is pretty hard to recover from.  It is, indeed, perilous.

These people are hard to spot initially because when you’re good to them, you’re very, very good.  It seems like a genuine friendship.  Your best defence is your current social circle. 

Listen to what your tried and true friends tell you about the new friends you make.  Look at the new friend's other relationships – are they bizarre?  Are they secretive about normal things?  Think about the stories they tell you, the believability of them.  Real life isn’t lived in dramatic arcs.

Most of all, be aware that your propensity to pillage distorts the boundaries.  Don’t be overly forgiving in the beginning – forgiveness is earned, not a free pass you give to someone who interests you.  Walk away from anyone who wants exclusivity to your time and friendship, who tries to interfere with your established friendships or hobbies or most especially, your caving time.

Writers aren’t formed in quite the same way as non-writers.  Pillage to your heart's content, make new friends, but always, always, always take care of yourself.


Friday, 5 April 2013

Camp NaNo/NaPo


              Five days in, reporting to you live from Camp NaNo-/NaPo-WriMo!


                                             http://www.campnanowrimo.org

In any group, there has to be one trouble maker.  Alien Magpie, Durham & I wanted to cabin with Fuzzball, and dutifully made our requests to NaNo.  After rejecting various cabins, only the three of us were housed together while Fuzzball was off somewhere in a holding cell.  I suspect it’s because he’s Finnish and we three live in the UK; he didn’t have the proper documentation to cross borders.

But never let it be said that trouble makers aren’t resourceful.  Fuzzball Bones created a secret Facebook clubhouse for us, and The Flying Wombats were born.  Occupation shot up from four to twelve in a matter of hours.  Soon the projects were being announced and as fate would have it, there was a classicist among us to raise the intellectual level.

Durham:  12 short stories, each inspired by one of the Greek pantheon, but it’s realism.  Managed to finish Hephaestus (with a whisper of Oedipus) but can’t type up as fast as I can write.  Bugger. 

The deceptively sweet looking, flute playing Kooky Spice revealed her darker side:

A fantasy story that I’ve been wanting to write for 4.5 years.  There will be assassinations, torture, and deity resurrection involved.  Wheee!

And Magpie took us into an entirely new genre:  

I’m doing a comic on Zev and Troy being super cool assassins.  Fewer words should mean less time, but it doesn’t.  Fewer words take much, much longer. 

I’m the sole early riser, which in this cabin, equates to evil incarnate, but by 10 a.m. on Day One, I’d killed off an innocent bystander while the others hadn’t poured their first cup of coffee.  They call me evil because they envy me.  The murder-a-thon was on.

Magpie:  I haven’t killed anyone yet, but I’m only just up.  Breakfast before murder and all that.
Kooky Spice:  No deaths yet.  But I have the first one planned.
Durham:  I’m biding my time til Hades.
Fuzzball:  You guys and your bloodlust are making me reconsider.  I don’t want to be the odd one out after all...

The cabin bonded during the body count, writers offering surrogate murders for those not ready to commit mortal sins.  Then it began to sink in, the reality of how difficult a challenge any NaNo month really is.

Fuzzball: I’m writing a horror story.  With strippers and drag queens and probably serial killers.  Before it actually began, the idea of NaNo was so exciting and I couldn't wait to get started!  I had my characters, I had a vague plot, I was looking forward to letting the writing just happen and fill in the blanks, and I was sure by the end of it I'd have the best thing I'd ever written in my hands!  Four days into it... My plan feels TOO vague, my characters aren't sure what they want to say and finding the time and the motivation to actually put words on the page is proving so tricky I'm 2k behind on my word count.... BUT! I just figured out my ending and writing down that scene felt so rewarding! NaNo is like a roller coaster, and you just got to love it.

It became obvious that some type of motivation was needed.  A crew of this ilk wouldn’t bat an eye at a threat.  Fortuitously, Camp started on Easter Monday, so chocolate was in bountiful supply.  But then they wanted beer.  And rum.  And mind altering drugs.  There were repercussions.

Durham:  Where is my voice?  Will it come?  Did I drop it somewhere?  I didn’t plan enough.  And NaNo is a hungry fucking child and I don’t have time to feed you!!!!!

But these are the conditions where serious writing happens.  Tips from Neil Gaiman and Josh Whedon were posted.  Word counts were compared.  Offers of feedback were given.  Pet rats were smuggled into camp.  (Three guesses whom those belonged to.)


Five days in confirms what I’ve often said, that writers need writers to write.  Writing is about the ability to imagine, to pretend, to play.  While we can do those things inside our own heads, group play energises and supports us.  Kudos to NaNo-NaPo-WriMo and all those groups out there supporting writers.


                                           https://store.lettersandlight.org/donations

Now it’s time for me to get NaNo cracking.  Think of all the murders I’ve not written yet.  A waste, I tell you.  A waste.

                                                   Happy Wombat.